An article surrounding the content of furry fandom, written by a furry university of Texas PhD Student, has been published in the journal of Transformative Works and Cultures. The peer-reviewed journal covers media and fan communities under a variety of mediums. Written by Charlie the Wuff, Furry fandom, aesthetics, and the potential in new objects of fannish interest references many prior non-fiction totems such as: Ash Coyote’s The Fandom: A Furry Documentary, Joe Strike’s Furry Nation, and Fred Patten’s Furry Fandom Conventions 1989-2015.
The three parts of the work go over the foundations of the fandom proper in the 1970s, followed by a dive into the aesthetic of the medium, and finishes with the cultural aspects that make the fandom distinct from other fan groups.
I was just going to sit on this particular entry until a later time, since Maus is a novel I rather grew up with, having discovered it in college. Current events have ratcheted my schedule up to today. See the details in Sonious' article.
As such, Maus is also the latest example in a long line of important literature to see censorship such as To Kill a Mockingbird, 1984, or even The Lorax. Like any of those other examples, the motivation for this censorship grays in contrast to the social and cultural impact the work has.
The story re-imagines the memoirs of a Holocaust survivor, through the anthropomorphic template of Jewish mice suffering at the paws of SS cats. The involved plot revolves around main character Artie and his tight-knit neighborhood of survivors, as they reflect on the horrors of the past. Of course, the weight of these events is more than enough to color their relatively safe present. Much of the novel does indeed read like a Jewish Historical Society compendium, and does not skimp an iota on content of the dire situation they survived.
Ian George Stuart Curtis passed away some time in May of 2021. He was one of the founding fathers of the furry fandom in the UK.
Born in December 1946 in Hull, he grew up on Disney cartoons and funny animal comics like Bonzo the Dog and Rupert Bear. By the time he was in his teens, he also developed interests in wargaming, comics, science fiction and fantasy games as well.
While working as a writer for the military press, he travelled to the USA regularly and used his leisure time to frequent the comic book and science fiction conventions there. This was how he met early furry fans like Pauli Kidd and discovered furry fandom. By the 1990s, he was in contact with fans in the US, Australia, and the UK.
John Oliver once again shows off his suspiciously furry stylings of comedy in one of his recent segments. In this case, he compared Brussel's EMT siren sound to Mickey getting ‘spin-cycled’, yes a euphemism for intercourse, on a washing machine. He even went so far as to get a motion-tweened animation of the affair. This joke is what he used to bookend his discussion around EMTs, and America’s underfunding and vulture-like privatization of them.
But what the writers of this particular segment may not have been aware of, is that while Mickey getting plowed on a washing machine may seem like a perfect ice breaking non-sequitur to the tragic state the United States' emergency services find themselves in, for furries it’s a bit too real.
In the year 2012, in the town of West Windsor, New Jersey, a seemingly innocent annual gathering of fursuiters supporting a local emergency services group called the Twin W Rescue Squad became targeted by politicians after allegations of indecent acts of a “spin cycle” style were spread through the press.
So thanks to Mr. Oliver, I feel compelled to go over what may be one of the most unfortunate interactions between furries and the political wardens of our country. And how the incident still sends ripples of fear and concern to this very day on the rules of engagement when it comes to fursuiting for organizations in the United States’ Northeast.
Mozilla has been forced to state that the increasingly-stylized fox in their browser logo is "alive and well" — despite mounting evidence of Doge influence in Nightly, the twice-a-day distribution of Firefox code.
Their blog post was a response to a series of memes decrying the ongoing march towards minimalism, implying that a 2019 re-branding exercise – in which Firefox was turned into a 'parent brand' composed of a 'swoop' design from which the browser icon and others were derived – represented elimination of the fox from the product.
Early next month, Americans will vote for various political offices, including President of the United States, the U.S.'s head of state. This is usually considered a pretty big deal in America, and even the world in general, as America still manages to wield a lot of political, economic and even cultural power on the world stage, despite itself. Some of the idiosyncrasies of the American political system may be a bit opaque to non-Americans (no, we don't really understand what the Electoral College is supposed to accomplish anymore, either). One aspect that seems to be uniquely American is the strong identification of American political parties with certain animals.
Fred Patten was born in Los Angeles, California on December 11, 1940. By the time he was ten years old, he'd become interested in science fiction and had started to collect SF books and magazines. From 1958 to 1963 he attended UCLA, where he graduated with a master's degree in Library Science. During his university years, he discovered science fiction fandom, joined the Los Angeles Science Fantasy Society (LASFS), and started to write for fanzines.
In the 1970s, Fred became a partner in a bookstore in Long Beach, and also developed an interest in manga and anime from Japan. In 1977, along with Mark Merlino and others, Fred was one of the founding members of North America's first anime fan club, the Cartoon/Fantasy Organization. Partially through the C/FO, he and Mark expanded their mutual interest in animals in cartoons and science-fiction, which was a major step in the early evolution of furry fandom. A lot people aren't aware that in North America, both anime and furry fandoms share an originating root!
There is a balding man with glasses, standing in the corner, cradling a book against his stomach, reading. You saw him a lot. At the Los Angeles Science Fantasy Society meeting hall, the APA collation room, in the library, at science fiction conventions in function rooms and room parties, at San Diego Comic Con in the Rowrbrazzle contributor parties, at furry parties.
His name is Fred Patten, and was in no way the passive participant he seemed. With a partner he opened a book shop in Long Beach, California that not only carried SF and Fantasy books, but comics from all over the world. He reviewed SF and Fantasy literature for fan and professional publications. His apartment was literally wall-to-wall books. He collected SF/F art, storing paintings in his bed frame. I don't think anyone knew where he slept... or if he did.
If you do not know where you come from, then you don't know where you are, and if you don't know where you are, then you don't know where you're going. And if you don't know where you're going, you're probably going wrong.
I am probably not wrong in my belief that many furs have little idea of how the fandom got started. The furry fandom is based around the appreciation of, and I'll simplify here, anthropomorphic characters. Furs find their way here through that appreciation and are able to join in immediately. This is not a bad thing but it is sad that many of us are unaware of our shared history. As we learned above, if we don't know where we come from then we are lost.
It's not that there has been no attempt to describe the origins of the furry fandom; aside from the crowdsourced wikis (e.g. WikiFur), we had Fred Patten's Retrospective: An Illustrated Chronology of Furry Fandom, 1966–1996 and Perri Rhoades' The Furry History Project. The first is not necessarily in the most easy to use form and both of the latter entries are chronological lists of major influences. Joe Strike's book departs from this format employing a mix of personal anecdotes, extensive research and several interviews with prominent furs to build a far more flowing, narrative history of the furry fandom.
Philly Metro's "Inside Philly's first furries convention" offers a compelling summary of our fandom's latest (and quite successful) convention. But its title betrays a lack of research. While Drayne and his team are to be congratulated for bringing a new furry convention to the City of Brotherly Love, it is by no means the first… nor even the largest furry con held there.
The first honour belongs to Furtasticon, chaired in November 1994 by Trish Ny – which was also furry fandom's second convention, spun up in the space of a few months, allegedly after perceived
After a 20-year hiatus, Rat.org has returned, at least as a read-only museum. Few today may remember it, but for some fans it was their first furry Web repository, and a launching point or inspiration for many other sites.
Rat.org was founded by Kilorat in the ancient stone-age year of 1994 as a combination Sonic the Hedgehog and Swat Kats: The Radical Squadron fansite. Later a Gargoyles section would be added as it grew in popularity.
This was the first home for many artists and fanfic writers, launched before Windows 95 came out (most used Mac OS 7.5.x or Windows for Workgroups 3.11 to connect with dial-up), and before giants such as Yahoo!, GeoCities, deviantART, and Fanfiction.net took over.
The website was hosted on a humble 80386DX with a "gigantic" 500 MB hard drive co-located at MV Communications – the first ISP in New Hampshire, where Kilorat was working. Despite being one of the only sources for fan materials on the Internet [compare S'A'Alis' Avatar Archive], the server was able to handle the low levels of traffic of the day.
Update (August 2018): The domain name has been sold, and all links updated to kilorat.com.
With $40 that I sent to a collector, I dove into the interesting pool of furry fanzines. Anyone can publish furry art and comics online these days, but back when the Internet was more BBS than WWW, it seems like any artist who wanted to get their name out there did a fanzine. There are an incredible number of them, and that's why in my opinion it's impossible to list them all. I know some have tried and failed.
"Bestiary", "Scrap", "Karno's Klassics", "Furplay" and "PentMouse" are just a very small number of what was out there. The quality of the art ranges widely, and so far I've come across more than one comic that makes absolutely no sense at all. But those are exceptions; most of what I've seen has been quite good.
For the most part, furry fanzines were published with anywhere between 8 to 50 pages. They're a really interesting view of the early days of the fandom. One thing I noticed - the style of art hasn't changed that much. But what has definitely changed is how furry fans have viewed their fandom.
Potoroo, host of the Fuzzy Notes podcast, is developing a new podcast that models itself after NPR's This American Life with a focus on the stories of the furry fandom. Like the popular program, it will choose a theme and tell several stories based on that theme, but focused on the furry community – its people, history and culture.
Currently in its early stages, Potoroo is seeking interested furs who may want to contribute. The goal would be to create a monthly show using segments produced by members of a collective through research, interviews, and narrative audio storytelling. He is also interested in including short stories, poetry and music by members of fandom as suits the theme.
There are at least five title pages and subtitles, all different, plus a foreword by Craig Yoe and short essays or tributes by comic book and animation experts, historians and, in the book’s term, aficionados Mark Evanier, Jerry Beck, David Gerstein and Paul Castiglia. The most important subtitles are A collection of paintings from the prolific imagination of the Felix the Cat guy and Curated, designed and edited by Rod Ollerenshaw. Another is The Felix the Cat Paintings of Don Oriolo.
Included are full-page photographs of Don Oriolo with Craig Yoe, two of the essayists, actor-artist Tony Curtis and some of his paintings.
This article is a collaboration between Rakuen Growlithe and Christiaan Ferret.
When it comes to the furry fandom, we have many unique neologisms, including words such as fursona and the phrase pawing off, which have varying levels of acceptance in the fandom. Perhaps one of the most well-known is the term yiff, which is even understood by some non-furs. Generally accepted as a substitute for sexual activity, and able to be used as a verb, noun or adjective, it is now less accepted than in the past.
Commenting on the closure of ychan, Yiffy International and 420furs.org, Flayrah contributor Sonious remarked that yiff had not aged well. Shortly afterwards, Christiaan Ferret's defence of the word as a part of furry culture brought forth comments such as...
Though to me "yiff" will always just be a corny slang term that makes me cringe slightly everytime I hear it spoken aloud haha.
I find the word annoying and needlessly cutesy, and I don't have the respect for it to study its etymology. It's just a really dumb word to me, and I'm afraid I can't say anything more about it. =/
However, we believe yiff has significance to the furry fandom as part of our shared culture and history. While we understand that not everyone will care for it, we do think it important to at least understand where the term came from.