So Netflix brings us a new generation of My Little Pony? Then IDW is sure to bring us a new generation of My Little Pony comic book — with an easy title too: My Little Pony. “Join Sunny, Izzy, Zipp, Pipp, Hitch, and their trusty sidekick Cloudpuff as they explore a brand-new Equestria following the magical events of the hit Netflix movie! With magic returned to Equestria, the ponies are more united than ever — at least until one of the Unity Crystals is stolen! Can the Mane 5 find the culprit before magic is gone for good? And where’s Cloudpuff leading them, anyway? Is this . . . Canterlot?!” Written by Celeste Bronfman, and illustrated by fan-favorite artist Amy Mebberson.
He’s in L.A. County, we’re in the O.C., so of course we meet up at WonderCon this year — and made sure to pick up his comic book, Super Lucha Cats! Interestingly, we came across this in a local newspaper: “When vampires, demons, and all manner of things that go bump in the night threaten the town, who will be there to save it? The Super Lucha Cats will. Created by 33-year-old Bell Gardens native Javier Solorzano, Super Lucha Cats is a brand-new comic inspired by Latin folklore, a love of lucha libre, and a couple of feline friends. It follows the adventures of Coco, Pizza, Nopalito, and Fresa; four cats adopted off the street by a retired luchadora who – with the help of a magical lucha mask – raised and trained the four siblings to piledrive the forces of evil.” Check out the interview from our local NPR radio station too.
First Second brings us a popular fantasy comic from France, collected now in one hardcover graphic novel. Kairos is written and illustrated by Ulysse Malassagne. “Nills and Anaelle are looking forward to their first night in their rustic cabin in the woods. But the couple’s idyllic vacation is suddenly thrown into turmoil when a strange flash of light bursts from the fireplace. A portal appears, and out of it spill dragon-like creatures that are armed to the teeth. They grab Anaelle and flee back through the portal, leaving a distraught Nills with a sudden decision: Stay behind, or leap through after her? He leaps. And that’s when things get really weird.” This new English translation is available now.
Can I Pet Your Werewolf? is a 160-page comics anthology that came out in 2017, after a successful kickstarter by Kel McDonald. Recently there was a second kickstarter to make a new print run, so I got in on the PDF version, and my hardcopy should be shipping pretty soon.
The project is described as "A light-hearted anthology featuring tales of friendship, family, and romance shared between those who get hairy under a full moon. Just because they have sharp teeth and claws doesn't mean they have to be a monster out for blood."
There are 13 stories, black and white, from mostly women cartoonists of many backgrounds and art styles. They're short popcorn tales, ranging from 8 to 19 pages in length. Not a lot of time for deep world-building, but in each one you're seeing a personal little snippet of a larger setting.
Editors Disclosure: This article has been posted by the communications director of the convention.
Multiverse, a brand-new convention for fans of science fiction, fantasy, horror, comics, furry culture, and more, will hold its debut event from October 18th to October 20th in Atlanta, GA.
The convention, located at the Hilton Atlanta Airport, will bring together fans, authors, artists, and other creators, all of whom share a common passion—genre fiction. Attendees can expect sci-fi, fantasy, and horror media, tabletop role-playing games, cosplay, and other beloved staples of “geekery” to feature heavily at Multiverse.
“Panel discussions, a fursuit festival, an art gallery, a gaming hall, and even a charity auction for the nonprofit RAICES—it’s going to be so much fun, truly,” says convention chair Allie Charlesworth. “Whether you love Game of Thrones or Black Panther, the movie Get Out or Dungeons and Dragons or even My Little Pony, this is absolutely your con.”
As noted in January, Archie's Sonic the Hedgehog comics (including Sonic Universe and Overdrive) have been delayed for unspecified reasons, with suspicion falling on a renewed contract dispute with SEGA.
Today, the official Sonic the Hedgehog Twitter account announced that SEGA of America were "parting ways" with Archie; promising that it was not "the end of Sonic in comics", but a "decision to take a different direction for the series that will be announced at a later date".
Not just fans, but current and former staff of the series were stunned by the news.
The Autumnlands is the creative result of writer Kurt Busiek and artist Benjamin Dewey, with help from colourist Jordie Bellaire and typesetter John Roshell and published by Image. Started in 2014, it is still in continuation with a recent release of a second volume.
The story revolves around the city of Keniel, one of seventeen great floating cities above the earth, resides a relatively peaceful community of anthropomorphic people living in a world of sorcery. In the eyes of Dunstan, a young bull terrier lad, life is going fairly well as he learns from his father to take on the family trade business.
Though not all is well as it seems in the world. Magic fades at an alarming rate and the great mages seek to desperately restore it. In relative secret a group of mages seek to bring back a great hero of legend to restore the world’s magic, despite the warnings of their council superiors.
Unfortunately for them, things don't play out as planned.
It’s a phenomenal story collecting the first six issues of the action/fantasy series featuring primarily anthropomorphic animal characters. While these topics of talking animals and magic seem like the things a child would like to read about, it’s noted that this comic touches into more mature territory pretty quick.
In this series you will find nudity, racial segregation and stereotyping, violent impalement and disembowelment. And this is just within the very first chapter!
It immediately sets itself up as being a story for mature readers, and a clear reminder that some comic books aren’t written for children.
Legend is a graphic novel by Samuel Sattin and Chris Koehler. It combines the popular post-apocalyptic story setting with talking animals - giving it furry appeal - and wonders how domesticated animals would survive after humanity is wiped out in a biological attack. To be fair, not all the humans are dead, but the only ones that we encounter have been turned into flesh-hungry zombies.
The first volume of Legend begins after humanity has already fallen. We meet a pack of dogs living in The Grounds, an open patch of a land next to a city. They need to choose a new leader as their previous one has just been killed by a mysterious creature in the ruins of the city. Vowing revenge, the new leader of the pack, Legend, begins a journey which leads him to ally with a clowder of cats and traverse a dangerous world which is undergoing dramatic changes.
Much of the comic is dedicated to setting up the world, introducing us to its cast of characters, the land they inhabit, and the back stories that underlie their motivations and mythology. This is all done well. Volume 1 contains the first five chapters of Legend and at the beginning of each chapter is a map. Chapter-by-chapter more of the “fog of war” gradually disappears as we learn the surrounding geography. The flashbacks, too, are entertaining and each one is visually distinct; based on the emotions of the character. It is only in one happy flashback that we ever see the world brightly lit and in full colour.
Throughout the entire comic, the artwork is excellent and does a good job of conveying the tone of the story. The majority of the scenes are highlighted in specific colours to convey mood and were a deliberate choice by the artist to limit his palette to better reflect the dogs’ limited colour range. However, the dark tone that falls over most of the story also makes it challenging at times to make out what is happening.
With $40 that I sent to a collector, I dove into the interesting pool of furry fanzines. Anyone can publish furry art and comics online these days, but back when the Internet was more BBS than WWW, it seems like any artist who wanted to get their name out there did a fanzine. There are an incredible number of them, and that's why in my opinion it's impossible to list them all. I know some have tried and failed.
"Bestiary", "Scrap", "Karno's Klassics", "Furplay" and "PentMouse" are just a very small number of what was out there. The quality of the art ranges widely, and so far I've come across more than one comic that makes absolutely no sense at all. But those are exceptions; most of what I've seen has been quite good.
For the most part, furry fanzines were published with anywhere between 8 to 50 pages. They're a really interesting view of the early days of the fandom. One thing I noticed - the style of art hasn't changed that much. But what has definitely changed is how furry fans have viewed their fandom.
Klaw is a French comic book series that will soon be available in English from Magnetic Press, so this is a good time for a review! It's a young adult superhero/action comic with anthropomorphic content. Will it appeal to furry fans? Possibly. Bonus points if you're a fan of tigers. It's written by Antoine Ozanam and drawn by Joël Jurion.
Angel Tomassini is a kid in early high school who gets bullied a lot, even though everyone (except him) seems to know that his father is the head of the Chicago mafia. Within the space of a particularly bad week, Angel learns the truth about his dad, is questioned by the police over the suspicious death of another student, is attacked by ninjas, goes on his first date, and finds out he has the power to turn into a powerful, muscled were-tiger.
I've probably made it fairly clear in past Pull Lists, but just in case I haven't, Squirrel Girl is my favorite superhero. For those of you unfamiliar with the character, Doreen Green is a Marvel mutant with the ability to talk to squirrels, as well as squirrel like agility, plus a squirrel tail. Together with her squirrel sidekick, Tippy Toe, she fights crime as Squirrel Girl. Very well. At risk of sounding like a hipster, I liked Squirrel Girl before Squirrel Girl was cool. Of course, Squirrel Girl is cool because she is not cool (which also sounds super hipster-y), but my love for the character is not ironic.
I like her because she is a genuine superhero; she both has superpowers and acts heroically, but more importantly, she also likes being a superhero. She has fun being a superhero. If she doesn't take, say, an encounter with Doctor Doom seriously, it's not because she herself sees the ridiculousness of the situation. She doesn't see fights with supervillains as something to worry about; she's a superhero. She is supposed to fight supervillains; and she wants to fight supervillains. On a meta-level (and though she doesn't quite go to, say, Deadpool's textual awareness level, like most "humorous" Marvel characters, she has her medium aware moments), she believes that she will win any fight with a supervillain because she is a superhero, and superheroes always win in the superhero stories she reads; therefore, by choosing to be a superhero, she chooses to win. It is not "realistic" that she should, say, beat Doctor Doom with squirrels, but, seeing as how she isn't real, reality does not concern her.
This is why she is such a divisive character; a certain sort of comic book fan believes that comic book superheroes can only be taken seriously if it is presented "realistically." This viewpoint has been the default comic book fan view for decades now, to the point where a character who regularly and unequivocally wins fights with supervillains, and doesn't angst about it, stands out like a sore thumb, and is therefore a breath of fresh air, especially if your personal preference (like mine) is Guardians of the Galaxy over Watchmen. This is not to say a comic book that deals with the consequences of superheroics is bad; it's to say that a comic book that deals with the consequences of superheroics isn't automatically good. And comic books that don't aren't automatically bad. Or for that matter, that "realism" and "explores consequences" are mutually exclusive.
So, anyway, Squirrel Girl has her own comic book now, and it's awesome. Here's a review of the first three issues.
Furry comics making the top 100 list for February 2015 include:
- The Unbeatable Squirrel Girl #2 at 87,
- Rocket Raccoon #8 at 45 and
- Guardians of the Galaxy #24 at 45.
Furry comics making the best-sellers list for the month of January 2015 include:
Benjamin Bear gets his way — Often by methods that are quite unusual but somehow they work. Now he’s back in his latest full-color book for kids, Brain Storm. Check it out over at the Toon Books web site: “The out-of-this-world outlook of a down-to-earth bear! Benjamin Bear can always surprise his friends, whether it’s by walking on his hands during a snowstorm or by using a tree as a parachute. His zany approach to life has earned him two Eisner Award nominations and bestseller status among kids everywhere. French star author Philippe Coudray continues to delight readers by bending the rules of common sense and breaking the laws of physics.” Also look out for the other Benjamin Bear comic books in hardcover, Fuzzy Thinking and Bright Ideas.
Not long after making his return to movies in the after credits gag from Guardians of the Galaxy after an infamous 1986 outing, Howard the Duck will gain his first ongoing comic since 1979 (not counting a mostly official two issue continuation of the series in 1986 in conjunction with the movie). He's appeared in various mini-series since that time, with many guest spots and cameos (Marvel writer Brian Michael Bendis has claimed never to have typed the words "Howard the Duck" despite the character appearing in the background of multiple series by him), and he was one of the non-zombie leads in the Marvel Zombies 5 mini-series, but this is first ongoing since the seventies.